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The stress-free time at dwelling turns into a menace on this scene by the Brazilian drama “I am nonetheless right here.”
The sequence begins with Rubens Payev (Selton Melo), a former congressman, performs a recreation along with his spouse, Einnis (Fernanda Torres). However they have been interrupted by the navy police who arrived to take Rubens for what they are saying is a deposit from which Rubens won’t return.
What was frivolous grew to become darkish, emotionally and visually, because the police started to shut the curtains in the home. Pleasure is drained from the room and insecurity and worry penetrate the second as adults attempt to do it, for the couple’s kids, that the whole lot is regular.
The movie, primarily in Rio de Janeiro within the Nineteen Seventies, relies on a 2015 memoir by Marcelo Ruben Paye, son of Rubens. Telling this sequence, director Walter Salsa mentioned the digicam’s switching from a static place to manually because the officers enter the place. He stated, “The digicam transmits the instability of the state of affairs, throbbing with the characters.”
In the course of the tense sequence, one of many couple’s daughters, Nalu (Barbara Luz), enters the Home and goes as much as speak to her father whereas he attire to depart dwelling for what Nallo doesn’t know that It is going to be the final time. Salsa known as it a “very important scene” and stated it was “arrange as a result of the true Nalu advised me it had occurred.”
In direction of the tip of the sequence, we see an in depth -up of the frilly because it stands on the door to see Rubens. Salsa stated it was “the primary of the one two shut plans in the entire film. We saved him for the final look between Rubens and Eunice. “
Learn Review “I’m still here.”
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