The New York Philharmonic is able to taking part in quietly; The orchestra simply did not at all times get pleasure from it. Particularly below his newest music director, Japa van Tsvens, the musicians are inclined to involuntarily method comfortable dynamics, as in the event that they had been trying ahead to the following explosion.
So it was outstanding that a few of the most memorable passages within the glorious live performance of the Philharmonic on Thursday night time on the David Gefen Corridor, held by Carina CanelakisThey had been probably the most delicate.
There was the ghost fog firstly of Kaija Saariaho’s Lumière et pesanteur. The gloomy light picket spirits that sounded Bach Horal’s tune in Berg’s violin live performance. The rotating transcendence of strings, attracting an virtually incomprehensible blow on the finish of Messiaen’s Les ofliées. The ghost melody in duet Flata and a homosexual that seems from fog in Debussy’s third part of La Mer.
The gamers didn’t appear as in the event that they wished these moments to finish as quickly as doable; They stood out in them. This testifies, in fact, to the musicians themselves – and, maybe, for his or her steady acclimatization to the renovated Geffen Corridor, through which even probably the most fragile sounds are clearly recorded.
However this additionally talks in regards to the administration of Canelakis on the rostrum. Throughout the live performance, she exploded taking part in in place and endurance, inspiring the ensemble to chill out in phrases – which provides the music extra natural power than to press mercilessly ahead.
For all items of breathtaking silence within the efficiency there have been additionally violent culminations, however Canelakis arrived with them with naturalness. On the finish of the primary part of La Mer, the amount rapidly swells from pianisimo to Fortisimo. Whereas some performances land flat on the amount, it pulled out the velocity nonetheless barely, which causes the dynamic to extend the dynamics like an thrilling wave moderately than a pointy increase.
Its program was bold and had an uncommon consistency: it was an extended examine of musical modernism, from its roots from the early twentieth century in Debussy to its spectral finish of the twenty first century in Sariaho.
“Lumière et pesanteur”, the six -minute adaptation of Saariaho to a part of her stage work, “La Ardour de Simone”, is a examine in tub textures which have been lower at one level by a finely longing piccolo. On Thursday, Mindi Kaufman performed the passage with a tone so bleached that it gave the impression of an historical instrument that summoned from afar.
The Berg violin live performance begins as if the solo line wakes up, unfolding. Violinist Veronica Eberle, debuting in the primary subscription collection of the Philharmonic, was extra acceptable for this cool, measured warning than the extra heated music that follows. Canelakis cleverly emphasised a second close to the start, which looks like a recall of Mozart’s Requiem’s flash, and later within the first motion, she saved it acceptable, whether or not the curler is rural or judicial. The newest measures of the live performance had an ideal golden shine.
One in every of Messiaen’s most works, Les Offrandes Obliées, is simply too little heard, and Canelakis and the orchestra captured their feverish feelings, retaining their readability, as at a perfectly balanced second when the flute was sufficiently current behind the string. Her idea for “La Mer” didn’t have the past, prohibiting, even violent high quality of some interpretations; It was a heat non secular, flowing, downright charming debuss, with an finish that felt identical to a celebration.
The 43 -year -old Canelakis is the chief conductor of the Dutch Radio Philharmonic. This occurs as a publication that Van Tsvenni occupies from 2006 to 2012, a number of years earlier than he got here to New York. So you need to hope that she like him ends with a wonderful place in america, commensurate together with her vital presents.
New York Philharmonic
This program continues till Tuesday in David Gefen Corridor, Manhattan; nyphil.orgS
